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    Drones Are Not Just For The White House - They Can Help Photographers Too
    By News Staff | July 13th 2014 05:30 AM | Print | E-mail | Track Comments

    Though drones have gotten a bad rap lately due to an overzealous American government obsessed with using technology to control the message, they will soon have benefits in the private sector outside bird's eye views of fireworks.

    Take photography. Lighting is crucial in photographs and film-making but lights are cumbersome and time-consuming to set up, and out of doors can be prohibitively difficult to position them where, ideally, they ought to go.

    Researchers at MIT and Cornell University hope to change that by providing photographers with squadrons of small, light-equipped autonomous robots that automatically assume the positions necessary to produce lighting effects specified through a simple, intuitive, camera-mounted interface.

    At the International Symposium on Computational Aesthetics in Graphics, Visualization, and Imaging in August, they take the first step toward realizing this vision, presenting a prototype system that uses an autonomous helicopter to produce a difficult effect called "rim lighting," in which only the edge of the photographer's subject is strongly lit.


    In experiments, the robot helicopter was equipped with a continuous-light source, a photographic flash, and a laser rangefinder. If only it had mini Hellfire missiles too. Courtesy of the researchers

    Based only on the specification of the "rim width" — the desired width, from the camera's perspective, of the subject's illuminated border — the helicopter not only assumes the right initial position but readjusts in real time as the subject moves, enabling delicate rim lighting of action shots.

    According to Manohar Srikanth, who worked on the system as a graduate student and postdoc at MIT and is now a senior researcher at Nokia, he and his coauthors —MIT professor of computer science and engineering Frédo Durand and Cornell's Kavita Bala, who also did her PhD at MIT — chose rim lighting for their initial experiments precisely because it's a difficult effect.

    "It's very sensitive to the position of the light," Srikanth says. "If you move the light, say, by a foot, your appearance changes dramatically."


    Intuitive control




    With the new system, the photographer indicates the direction from which the rim light should come, and the miniature helicopter flies to that side of the subject. The photographer then specifies the width of the rim as a percentage of its initial value, repeating that process until the desired effect is achieved.

    Thereafter, the robot automatically maintains the specified rim width. "If somebody is facing you, the rim you would see is on the edge of the shoulder, but if the subject turns sideways, so that he's looking 90 degrees away from you, then he's exposing his chest to the light, which means that you'll see a much thicker rim light," Srikanth says. "So in order to compensate for the change in the body, the light has to change its position quite dramatically."

    In the same way, Srikanth says, the system can compensate for the photographer's movements. In both cases, the camera itself supplies the control signal. Roughly 20 times a second, the camera produces an image that is not stored on its own memory card but transmitted to a computer running the researchers' control algorithm. The algorithm evaluates the rim width and adjusts the robot's position accordingly.

    "The challenge was the manipulation of the very difficult dynamics of the UAV [unmanned aerial vehicle] and the feedback from the lighting estimation," Durand says. "That's where we put a lot of our efforts, to make sure that the control of the drone could work at the very high speed that's needed just to keep the thing flying and deal with the information from the lidar [the UAV's laser rangefinder] and the rim-lighting estimation."



    Video: Manohar Srikanth, Fredo Durand, and Kavita Bala


    Quick study




    As Srikanth explains, that required some algorithmic streamlining. "When we first started looking at it, we thought we'd come up with a very fancy algorithm that looks at the whole silhouette of the subject and tries to figure out the morphological properties, the curve of the edge, and so on and so forth, but it turns out that those calculations are really time-consuming," Srikanth says.

    Instead, the algorithm simply looks for the most dramatic gradations in light intensity across the whole image and measures their width. With a rim-lit subject, most of those measurements will congregate around the same value, which the algorithm takes to be the width of the rim.

    In experiments, this quick approximation was able to keep up with the motions of both the subject and the photographer while maintaining a consistent rim width.

    The researchers tested their prototype in a motion-capture studio, which uses a bank of high-speed cameras to measure the position of specially designed light-reflecting tags with millimeter accuracy; several such tags were affixed to the helicopter.

    But, Srikanth explains, the purpose of the tests was to evaluate the control algorithm, which performed well. Algorithms that gauge robots' location based only on measurements from onboard sensors are a major area of research in robotics, and the new system could work with any of them. Even rim lighting, Srikanth says, doesn't require the millimeter accuracy of the motion-capture studio. "We only need a resolution of 2 or 3 centimeters," he says.