Hyperlink films, which use cinematic devices such as flashbacks, scenes out of chronological order, split screens and voiceovers to create an interacting network of storylines and characters across space and time, mirror contemporary globalized communities, it is said.
However, films in this genre like "Memento", "Love Actually" and "Crash" are not as new and innovative as believed - they still conform to conventional cinematic and social patterns, say scholars after an examination of twelve hyperlink films, ten female interest conventional films and examples from the real world and classical fiction.