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    The Ingredients Of A Good Popular Science Book
    By Mark Changizi | June 21st 2010 10:47 AM | 8 comments | Print | E-mail | Track Comments
    About Mark

    Mark Changizi is Director of Human Cognition at 2AI, and the author of The Vision Revolution (Benbella 2009) and Harnessed: How...

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    The hardback of The Vision Revolution has been out for one year, and I couldn’t be happier with the reaction it has received, including reviews in fantastic places like the Wall Street Journal and Sciam Mind and mentions in places like the New York Times. Soon it will appear in China, Korea and Germany.


    There has, however, been one gnawing problem with the hardback.

    …the problem is its hardbackiness.

    To understand my trouble with hardbackiness, let me back up and explain what I was aiming for in writing the book.

    As a start, let me first describe what I was not aiming for: Not an academic monograph, to be read only by specialists. Not a journalist-style coverage of a topic. And not a book about how to help your brain, like “20 ways to make your brain smarter than the Johnson’s next door.”

    My aim was not only to write a book that is readable (and funny) to non-specialists (i.e., a “trade” or “popular” book). Rather, my aim was to build a book that is part of the scientific conversation.

    By “part of the scientific conversation,” I mean that the book is filled with ideas and evidence that go beyond what is found in the technical journal articles.

    That, I believe, is what makes a popular science book exciting to non-specialists and laymen: in reading the book they are not merely learning about science, but are witnessing a portion of the lively scientific exchange.

    The reader is put within the scientific conversation itself.


    I didn’t come to this philosophy about what makes a good popular science book on my own. As I struggled with the drafts of my first trade book proposals, I had the opportunity to meet with John Brockman (http://www.edge.org/3rd_culture/bios/brockman.html ), the noted literary agent, author and the founder of The Edge ( http://www.edge.org ). It was he who laid out this good-popular-science book philosophy to me, and although it sounded obvious after he said it, it by no means was obvious to me beforehand.

    That’s what makes authors like Desmond Morris, Richard Dawkins, Stephen Pinker. Daniel Dennett and Andy Clark so compelling. It’s not merely that they write well, but that they’re making a scientific case for their viewpoint. …and you and I get to watch.


    And so that’s what I did in The Vision Revolution, take the reader along as I lay out the case for a radical re-thinking of how we see. Color vision evolved for seeing skin and the underlying emotions, not for finding fruit. Forward-facing eyes evolved for seeing better in forests, not for seeing in depth. Illusions are due to our brain’s attempt to correct for the neural eye-to-brain delay, so as to “perceive the present.” And our ability to read is due to writing having culturally evolved to make written words look like natural objects, just what our illiterate visual system is competent at processing.

    In aiming to be part of the lively scientific exchange, there was another thing I tried to inject into the book: I tried to not take things too seriously.

    As I have discussed in an earlier piece [ http://www.science20.com/mark_changizi/mind_hacks_over_stacks_facts ], too often science is treated as a set of textbook facts. Textbooks usually give that impression, and even when they are careful to say that science is in fact deeply in flux, the textbook look and feel dupes most of us into imbuing the book with too much truthiness. This is especially a problem for the cognitive and brain sciences, because the object of study is the most complicated object in the known universe, and we very often don’t know what we’re talking about. (We don’t know jack: http://changizi.wordpress.com/2009/08/12/18/ )


    And that brings me back to the most significant flaw with the hardback version of The Vision Revolution: its hardbackiness. The rigidity of a hardback suggests truthiness, and although I do believe the ideas I put forth and defend in the book are true, I don’t want the cover’s hardness to be part of my argument.


    Luckily, The Vision Revolution is now out in paperback, and is so remarkably bendy that the reader cannot help but to read with that engaged maybe-this-is-not-correct mindset, rather than the oh-look-at-all-those-true-things-science-has-figured-out mindset. With that mindset, the reader will be in the right mindset to truly be “part of the scientific conversation.”

    Comments

    Gerhard Adam
    Well, Mark ... I have the bendy version and I must confess that when I saw it I realized that you must be an incredibly flexible thinker.
    Mark Changizi
    Great to hear! -Mark, the gumby of science.
    I like the analogy here: paperbacks are considered less real than hardcovers, therefore the science found in them should be considered more open to interpretation. Interesting—I wish something to that effect were printed on the back cover of your paperback. As for me, I don't know what to make of my predilection for hardbacks: maybe it's the designer in me. What I find truly intriguing is how much more I'm visually attracted to your paperback book than your hardcover. The cover redesign seems to make your scientific points in a simpler, less metaphorically obvious, and more aesthetically pleasing way than the hardcover. Perhaps you weren't anticipating that response, but that's what would sway me. Now what to make of that?

    Mark Changizi
    I tend to agree about the new cover design, although I can't yet quite make sense of why. The hardcopy cover is undoubtedly "cool" looking, but also cold, whereas the new one is warm and inviting. Given that the new design is mostly color and radial lines, you'd think I'd have an answer, given that color and (radial line) illusions are big parts of the book! Alas... -Mark
    Becky Jungbauer
    Cover design is immensely important in swaying a reader to pick up the book or leave it on the shelf. I'll leave the whys of the visual importance to you - after all, you did write a book about vision. :)

    By the way, I really like this idea: "in reading the book they are not merely learning about science, but are
    witnessing a portion of the lively scientific exchange. The reader is put within the scientific conversation itself." As you say, it seems so obvious now that it's said, but what a great thought.
    Mark Changizi
    ...the best ideas are obvious afterward.
    Becky Jungbauer
    Too bad foresight isn't 20/20.
    adaptivecomplexity
    That, I believe, is what makes a popular science book exciting to non-specialists and laymen: in reading the book they are not merely learning about science, but are witnessing a portion of the lively scientific exchange. The reader is put within the scientific conversation itself
    An excellent philosophy both for books, and for teaching. Science can come to rock-solid conclusions in many areas - textbooks in stable fields represent hard won, extremely reliable knowledge. Thus, putting readers "within the scientific conversation itself" not only helps readers see that science is more than just set of facts to memorize, but also how rock-solid, take it to the bank results are produced via a fairly chaotic process. It's almost a paradox - the scientific process is open and messy, but the results, when controversies are settled and uncertainties dealt with, are firm.
    Mike