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    Karaoke Anxiety - An Exploration
    By Martin Gardiner | October 11th 2012 10:43 AM | Print | E-mail | Track Comments
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    Is karaoke a passing fad? Kevin Brown PhD. Associate Professor of Theatre History, Theory, Criticism, Performance Studies, New Media, Non-Western Theatre, and Popular Culture at the University of Missouri, US. believes not. For his doctoral dissertation, he conducted a two-year ethnographic study of karaoke in America, a portion of which is: ‘Liveness Anxiety: Karaoke and the Performance of Class‘, and is published in Vol. 1, Issue 2, of the academic journal Popular Entertainment Studies.

    “It is very tempting to dismiss karaoke as a passing fad.”

    explains the professor.

    “It is even more tempting to dismiss karaoke as a gimmick, a technological crutch that gives untalented people a false hope of celebrity.”

    But karaoke is far more than this - for studies undertaken in Springfield, Colorado, and elsewhere revealed that -

    “It challenges the hegemonic forces of the status quo by breaking down the rules under which cultural production is understood to take place. Karaoke breaks down preconceived binarisms: it challenges notions of ‘high’ versus ‘low’ art, ‘live’ versus ‘mediatised’ performance, and ‘amateur’ versus ‘professional’ artists.”

    Underlining the idea that karaoke is not simply a fad.

    “It is not going away any time soon. It is, in fact, a multi billion dollar industry that continues to grow every year. I predict that we will see this trend continue.”